Articles | Open Access | https://doi.org/10.37547/ijp/Volume05Issue02-14

Doira: Traditional Elegance and Rhythm

Turekhanov Farhod , Teacher of the Musical Pedagogy, Uzbekistan State Conservatory, Uzbekistan

Abstract

This article analyzes the doira as a musical instrument, exploring its historical roots, structure, and performance techniques. The doira holds a significant place in Eastern music, particularly in Uzbek and Tajik traditional art, distinguished by its harmony of elegance and rhythm. The study highlights the role of the doira in both folk and professional music, the mastery of its performers, and its integration into contemporary musical contexts. Additionally, the cultural significance of the instrument and the issues surrounding its transmission to future generations are discussed.

Keywords

Doira, musical instrument, Membranophone

References

Karomatov, F. (1987). Fundamentals of Uzbek folk music. Tashkent: Fan.

Sagdullayev, A. (2001). Musical instruments and their history of development. Tashkent: National Encyclopedia of Uzbekistan.

Jabborov, A. (2015). Main features of circle performance. Tashkent: San’at.

Usmonov, O. (2003). Uzbek folk instruments: history and development. Tashkent: Ma’naviyat.

Djumaev, A. (2012). Rhythms of Central Asia: A Study on Traditional Percussion Instruments. Cambridge: Cambridge University Press.

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How to Cite

Turekhanov Farhod. (2025). Doira: Traditional Elegance and Rhythm. International Journal of Pedagogics, 5(02), 46–48. https://doi.org/10.37547/ijp/Volume05Issue02-14