
Theoretical Foundations for Developing Independent Learning Skills of Future Music Teachers
Abstract
Independent learning is essential for music teachers whose professional growth relies on continuous self-directed practice, critical listening, and creative experimentation. The article synthesises psychological, pedagogical, and musicological theories to establish a conceptual basis for cultivating independent learning skills in undergraduate music-teacher education. A qualitative meta-analysis of 127 peer-reviewed publications (1995-2025) was conducted, triangulated with a focus-group study involving twenty-five conservatoire instructors from Central Asia, Europe, and North America. Analysis revealed that the most influential constructs are self-regulated learning, reflective practice, and culturally mediated musicianship; these converge in a six-component model that links motivation, metacognition, and domain-specific knowledge with social and technological affordances. The model positions musical autonomy not as isolated practice but as dialogic engagement with cultural repertoires, digital tools, and professional communities. Implications include curriculum redesign that embeds sequenced reflection, scaffolded repertoire selection, and technology-enhanced feedback loops. The proposed framework provides music-teacher educators with a theoretical map for systematically nurturing lifelong, self-sustaining learners.
Keywords
Independent learning, music teacher education, self-regulated learning
References
Zimmerman B. J. Becoming a Self-Regulated Learner: An Overview // Theory Into Practice. — 2002. — Vol. 41, № 2. — P. 64–70.
McPherson G. E., Renwick J. M. A Longitudinal Study of Self-Regulation in Children’s Musical Practice // Music Education Research. — 2011. — Vol. 13, № 1. — P. 91–113.
Schön D. A. The Reflective Practitioner: How Professionals Think in Action. — New York : Basic Books, 1983. — 374 p.
Lave J., Wenger E. Situated Learning: Legitimate Peripheral Participation. — Cambridge : Cambridge Univ. Press, 1991. — 138 p.
Nethsinghe R. A. Cultural Competence and Music Education // International Journal of Music Education. — 2012. — Vol. 30, № 4. — P. 382–396.
Barry N. H., Hallam S. Self-Regulated Practice Behaviours in Higher Education Music Students // Psychology of Music. — 2002. — Vol. 30, № 2. — P. 164–185.
Renwick J. M., McPherson G. E. Interest and Choice: Student-Selected Repertoire and Its Effect on Practising Behaviour // British Journal of Music Education. — 2015. — Vol. 32, № 1. — P. 51–67.
Hattie J., Timperley H. The Power of Feedback // Review of Educational Research. — 2007. — Vol. 77, № 1. — P. 81–112.
Green L. Music, Informal Learning and the School: A New Classroom Pedagogy. — Aldershot : Ashgate, 2008. — 237 p.
MacIntyre P. D., Potter G. K. Instrumental Practice as a Context for Learning Self-Regulation // Psychology of Music. — 2014. — Vol. 42, № 4. — P. 444–460.
Pintrich P. R. A Conceptual Framework for Assessing Motivation and Self-Regulated Learning in College Students // Educational Psychology Review. — 2004. — Vol. 16, № 4. — P. 385–407.
Mishra P., Koehler M. Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge // Teachers College Record. — 2006. — Vol. 108, № 6. — P. 1017–1054.
Creech A., Gaunt H. The Changing Face of Individual Instrumental Tuition in Higher Education: Value, Purpose and Potential // Music Education Research. — 2018. — Vol. 20, № 3. — P. 325–347.
Nielsen S. G. Strategies and Self-Efficacy Beliefs in Instrumental and Vocal Individual Practice // Psychology of Music. — 2004. — Vol. 32, № 4. — P. 418–431.
UNESCO. The Seoul Agenda: Goals for the Development of Arts Education. — Paris : UNESCO, 2010. — 24 p.
Article Statistics
Downloads
Copyright License
Copyright (c) 2025 Shermatova Xurshida Karimovna

This work is licensed under a Creative Commons Attribution 4.0 International License.