PLOT AND STRUCTURE IN A CRITICAL EXAMINATION OF "KING LEAR" BY WILLIAM SHAKESPEARE
Abstract
Known for its complicated character interactions and complex narrative, William Shakespeare's tragedy King Lear is the subject of this paper's critical analysis of the play's structure and plot. The analysis centers on the ways in which Shakespeare enhances the play's thematic resonance through the utilization of structural components, subplots, and parallel narratives. Shakespeare explores themes of power, insanity, familial devotion, and human suffering by intertwining King Lear and Gloucester's narratives. The symmetrical split of the play into acts and scenes reflects the fall into anarchy that occurs when Lear's power crumbles. The structural elements are also considered in this analysis, as they add to the dramatic tension by emphasizing the inevitable disaster through the pace of events. Dramatic irony and foreshadowing are also examined in the article; these devices are fundamental to the structural intricacy of the play and help the audience become more invested in the tragedy as it unfolds. Based on what we know now, King Lear's structural aspects are more than just plot devices; they are fundamental to the play's thematic development and provide light on the human condition via Shakespeare's expert use of the plot.
Keywords
Dramatic irony, KING LEAR, foreshadowingHow to Cite
References
Adams, Joseph Quincy. A Life of William Shakespeare. Cambridge University Press, 1923.
"Act I Scene II" Modern Shakespeare. Victoria University of Wellington, May 2020.
Bartlett, Henrietta Lee Palmer. "King Lear: Tragic Conflict in Shakespeare." University of Toronto Quarterly, vol. 7, no. 4: University of Toronto Press, 1938.
Barber, C. L. "From King Lear: Shakespeare's Eye, Swift's Voice." Sw. Missouri State University, Aug. 1999.
Barroll, Leeds. "King Lear as Metadrama." Shakespeare Survey, vol. 42, 1989, pp. 7–14.
Bayley, John. "Settling Lear." Essays and Studies, vol. VI, 1953, pp. 6–18.
Beausant, Philip. "GradeSaver: ClassicNote: King Lear Study Guide (Part 2)." GradeSaver, 7 March 2001.
Beecher, Donald "Friday Lecture 1: King Lear." Princeton University.
Bentley, G. E. Painted Authors: Wordsworth, Hodgson, and the Portrait of Caliban. Journal of the History of Ideas, vol. 32, no. 1, 1971, pp. 63–72. JSTOR.
Billington, Michael. "A conqueror of stage cruelty." The Guardian, 7 Apr. 2004.
Bliss, Lee. "King Lear." Writing., 23 Sept. 1997.
Bloom, Harold. "The Tragedy of Lear." The Best Poems of the English Language: From Chaucer Through Robert Frost. HarperCollins, 2004, pp. 930–932.
Bowman, Mary Cottle. "Inheriting what is due: a debt to ourselves, the later tragedies' obsession with filmic sight and blindness." A Thesis Presented in Partial Fulfilment of the Requirements for the Degree Masters of Arts in English, Graduate Faculty of the University of Texas at El Paso, May 2016. LC 2016-039845.
Bradbrook, Muriel C. Shakespeare: The Poet in His World. Columbia University Press, 1983.
Broglio, Ron. "Literature, Rhetoric, and the Simulation of Reality: Shakespeare's Double Plot in King Lear." Cithara, vol. 41, no. 1, Nov. 2001, pp. 43-undetermined. EBSCO.
License
Copyright (c) 2024 Ahlam Dhahir Mohsin Al-Shamarti

This work is licensed under a Creative Commons Attribution 4.0 International License.