Articles | Open Access | https://doi.org/10.37547/ajps/Volume04Issue11-24

Z. FREUD'S THEORY AND ITS REFLECTION IN LITERARY WORKS

Eshmamatov Rustam Toshtemirovich , Independent researcher at Jizzakh State Pedagogical University, Uzbekistan

Abstract

Sigmund Freud's psychoanalytic theory revolutionized the understanding of the human psyche, influencing not only psychology but also art and literature. This article explores the key components of Freud's theory, including the unconscious mind, dream analysis, and the id, ego, and superego, and examines how these ideas are reflected in literary works. Through detailed examples, it highlights how Freud's concepts shaped literary criticism and inspired authors to delve into complex psychological themes. The article also discusses Freud’s impact on literary genres such as modernism and surrealism, showcasing his enduring influence on narrative structure, character development, and thematic exploration.

Keywords

Psychoanalysis, Sigmund Freud, Literary criticism

References

Freud, S. (1900). The Interpretation of Dreams. London: Hogarth Press.

Freud, S. (1923). The Ego and the Id. London: Hogarth Press.

Ellmann, M. (1977). Psychoanalytic Literary Criticism. Longman Publishing.

Bloom, H. (1994). The Western Canon: The Books and School of the Ages. Harcourt Brace.

Kafka, F. (1925). The Trial. New York: Schocken Books.

Williams, T. (1947). A Streetcar Named Desire. New Directions Publishing.

Breton, A. (1928). Nadja. Grove Press.

Wright, E. (1984). Psychoanalytic Criticism: Theory in Practice. Methuen.

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Eshmamatov Rustam Toshtemirovich. (2024). Z. FREUD’S THEORY AND ITS REFLECTION IN LITERARY WORKS. American Journal of Philological Sciences, 4(11), 131–135. https://doi.org/10.37547/ajps/Volume04Issue11-24