THE CONCEPT OF ABSURD IN ARTISTIC LITERATURE. AN ANALYSIS OF E. HEMINGWAY'S WORKS
Abstract
This article examines the thematic and stylistic parallels between the works of Ernest Hemingway and notable Uzbek writers, including Abdulla Qadiri, Chulpan, and Hamid Alimjan. Both literary traditions explore themes of absurdity, isolation, and the consequences of war, reflecting the complexities of human existence. While Hemingway's minimalist style contrasts with the rich imagery of Uzbek literature, both approaches effectively convey profound emotional experiences. This comparative study emphasizes the universal nature of literary themes and invites readers to consider the shared struggles of humanity across cultural contexts.
Keywords
Absurdity, Isolation, Ernest HemingwayHow to Cite
References
Hemingway, E. (1952). The Old Man and the Sea. New York: Charles Scribner's Sons.
Hemingway, E. (1929). A Farewell to Arms. New York: Charles Scribner's Sons.
Qadiri, A. (1926). Days Gone By. Tashkent: Sharq.
Alimjan, H. (1940). Poems of the Heart. Tashkent: Uzbek State Publishing House.
Chulpan. (1917). Selected Poems. Tashkent: Uzbek State Publishing House.
Camus, A. (1942). The Myth of Sisyphus. New York: Alfred A. Knopf.
Sartre, J.P. (1943). Being and Nothingness. New York: Washington Square Press.
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