The rise of generative artificial intelligence (AI) challenges fundamental assumptions underlying moral rights doctrine, particularly the long-standing premise that creative works embody a personal connection between author and expression. As AI systems increasingly produce expressive content autonomously or in collaboration with humans, jurisdictions grounded in droit d’auteur theory must confront the erosion of human–centric authorship. This article examines the viability of moral rights in an environment where human agency is distributed, partial, or ambiguous. It evaluates the adaptability of existing moral rights frameworks—specifically the European Union’s strong moral rights tradition, the Berne Convention’s minimum standards, and the United States’ limited Visual Artists Rights Act (VARA). The article argues that moral rights require doctrinal modernization, moving away from anthropocentric assumptions and toward a rights-allocation model based on creative stewardship, attribution integrity, and transparency in AI-assisted creativity.  

Moral rights, authorship, artificial intelligence

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