This article is dedicated to the poetic analysis of select ghazals created in Uzbek literature during the second half of the 20th century. It reveals the significance of ilmi badi' (the science of rhetoric) within the ilmhoyi segona - the triad of sciences, which forms the foundation of classical Eastern poetics - in the development of the period’s ghazal. Alongside traditional poetic devices such as tashbih, talmih, tashxis, tazod (including mutobaqa, tiboq, tatbiq, taqofu), husni ta'lil, irsoli masal, iyhom (tahyil, tavriya), tajnis, tanosub (muroat un-nazir, tavfiq, iytilof, talfiq), and ishtiqoq, the article separately analyzes artistic devices like kalomi jomi', izdivoj, ibhom, ittifoq, and radd, which are widely used in poetry but have received little scholarly attention. The extent to which these devices are employed in the ghazals has been determined, revealing that some ghazals are constructed on the basis of a specific poetic device from the matla (opening couplet) to the maqta (closing couplet). Through the examination of these ghazals, the article ascertains the degree to which the poets adhered to the traditions of their predecessors and highlights their innovative contributions.  

Ghazal, ilmhoyi segona, kalomi jomi'

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