Articles | Open Access | https://doi.org/10.37547/ajps/Volume06Issue01-27

Ozod Sharafiddinov And The Transformation Of Critical Discourse In Twentieth-Century Uzbek Literature

Nurulloyeva Mashhura , Uzbekistan University of Journalism and Mass Communications, Faculty of Journalism 2nd-year student, Uzbekistan

Abstract

This article explores the transformation of critical discourse in twentieth-century Uzbek literature through the intellectual and scholarly legacy of Ozod Sharafiddinov. As one of the most influential literary critics of his time, Sharafiddinov played a decisive role in reshaping the language, methodology, and ethical foundations of Uzbek literary criticism. The study examines how his critical writings contributed to the transition from ideologically constrained, prescriptive criticism to a more interpretative, human-centered, and aesthetically grounded discourse. Special attention is paid to the evolution of critical terminology, narrative strategies, and evaluative principles in Sharafiddinov’s works, highlighting their impact on the broader literary process of the twentieth century. Employing discourse analysis and historical-literary methods, the article reveals how Sharafiddinov redefined the function of literary criticism as an autonomous intellectual practice. The findings demonstrate that his critical approach not only reflected the changing socio-cultural context of the period but also actively influenced the modernization of Uzbek literary thought.

Keywords

Uzbek literary criticism, critical discourse, twentieth-century literature

References

Bakhtin, M. M. (1981). The Dialogic Imagination. Austin: University of Texas Press. — Theoretical foundation for discourse and dialogism used in modern criticism.

Imyaminova, S., & Yakubov, S. (2022). Roots of friendship: Uzbek literature and literary criticism in international context. International Journal of Linguistics, Literature and Culture, 8(4), 66–73. — Discusses transnational literary discourse.

Karimov, B. (2011). Uzbek Literary Criticism: An Anthology. Tashkent: Turon-Iqbol. — Contains translated and analyzed critical texts from the 20th century.

Karimov, N. (2001). History of Twentieth-Century Uzbek Literature. Tashkent: Fan Publishers. — A foundational study of Uzbek literary development and criticism.

Mirzaeva, Z. I. (2024). Literary and social interpretations of the stagnation period in twentieth-century Uzbek literature. International Journal of Linguistics, Literature and Translation, 7(3), 45–52. — Provides socio-literary context for critical discourse evolution.

Normatov, U. (2010). Literary Criticism and the Spirit of the Age. Tashkent: Yangi Asr Avlodi. — An important work on ideological and aesthetic shifts in Uzbek criticism.

Quronov, D. (2018). Fundamentals of Literary Theory. Tashkent: Akademnashr. — Frequently used theoretical framework in Uzbek literary studies.

Rakhmatova, F. K. (2022). Education and Uzbek literature in the 1970s–1980s. International Journal of Social Science Research and Review, 5(2), 117–123. — Examines ideological pressure on literature and criticism.

Sharafiddinov, O. (1989). Thoughts on the Mountain Pass. Tashkent: Gafur Ghulam Publishing House. — Key critical essays reflecting ethical and aesthetic transformations in criticism.

Sharafiddinov, O. (2004). Faith and Creativity. Tashkent: Ma’naviyat. — Explores the moral responsibility of the literary critic.

Lukács, G. (1971). The Theory of the Novel. Cambridge, MA: MIT Press. — Influential in shaping socio-aesthetic criticism relevant to Sharafiddinov’s approach.

Eagleton, T. (2008). Literary Theory: An Introduction. Oxford: Blackwell Publishing. — Provides critical theory tools for discourse analysis.

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Nurulloyeva Mashhura. (2026). Ozod Sharafiddinov And The Transformation Of Critical Discourse In Twentieth-Century Uzbek Literature. American Journal of Philological Sciences, 6(01), 106–108. https://doi.org/10.37547/ajps/Volume06Issue01-27