This paper focuses on the cross-linguistic analysis of presupposition in Agatha Christie’s detective stories, emphasizing their role in guiding readers’ understanding and framing the narrative context. Presupposition, a semantic-pragmatic phenomenon, involves implicitly stating information that is taken for granted by both the speaker and the addressee, thereby adding depth and complexity to character dialogue, suspects’ testimony, and plot progression. In Christie’s texts, presupposition contributes significantly to character relationships, suspicion, and eventual resolution of the mystery. This study applies a contrastive linguistic approach, comparing presupposition mechanisms in the original English texts and their Uzbek translations. Our main aim is to identify and describe linguistic signals, transformation strategies, and semantic effects related to presupposition across both languages. Furthermore, we investigate how these mechanisms influence the way the stories are perceived by readers in different linguistic and cultural contexts. The comparative analysis shows that while some presuppositions are directly preserved in translation, others are rendered more implicitly or are even reformulated due to linguistic, semantic, or cultural differences. This process may affect the degree of suspicion, dramatic tension, or eventual resolution of the plot. Our study contributes to a better understanding of the role of presupposition in literature and highlights the necessity for careful semantic-pragmatic consideration during translation, ensuring that the author’s intent is successfully conveyed across linguistic borders.

Presupposition, Presuppositioncross-linguistic analysis

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