This article explores the concept of folklorism as a literary and cultural phenomenon, focusing on its terminological development, typology, and application in Uzbek philology. The term folklorism, first introduced in the second half of the 19th century by French folklorist Paul Sébillot, refers to folkloric materials that have been artistically adapted and intentionally incorporated into literary works. Drawing upon the theoretical contributions of A.N. Chistov and Bahodir Sarimsoqov, this study outlines the distinction between folklore and folklorism, highlighting the latter as a stylistic and ideological tool in literature. The article emphasizes the importance of folklorisms in representing national identity, cultural values, and collective mentality, and it discusses the contributions of Uzbek scholars who have advanced the field. The findings affirm the relevance of folklorism in contemporary literary studies and its role in preserving ethnocultural heritage.

folklorism, folklore, Uzbek literature

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