The concept of individualism and absurdity in Camus’ the stranger
DOI:
https://doi.org/10.37547/ajps/Volume05Issue03-30Keywords:
Modernism, existentialism, individualismAbstract
The article discusses the philosophical foundations of modernist literature, particularly existentialism, individualism, and the theory of the absurd. It primarily focuses on Albert Camus’ works, analyzing his views on individualism, absurd philosophy, and the meaninglessness of human life.
The article deeply examines aspects of modernism related to social alienation and the spiritual crisis of individuals in society. The philosophy of the absurd is explained based on the ideas of Camus and Sartre, emphasizing that the essence of human life is shaped through personal choices. Camus defines the absurd as the contradiction between a person’s desire to find meaning in life and the indifference of the universe.
“The Stranger” is analyzed as a novel where the protagonist, Meursault, exhibits indifference to life and refuses to conform to societal norms. Similarly, “The Myth of Sisyphus” is interpreted as a symbol of the absurd man. “The Plague” and “The Rebel” are discussed in terms of human rebellion against an absurd world.
The article explores the essence of Camus' philosophy, examining his literary legacy and his perspectives on the absurd nature of human existence.
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