The paradigm of social problems in detective-criminal plot works

Abstract

The experiences, ideas, thoughts, and conclusions on the stage of the heart directly take human form and move, live, suffer, seek goodness, trample someone, and sometimes even kill on the stage of the work. Destruction and creation, death and survival are first processed in the grand mill of the writer's heart and then embedded into the stage of the work, transforming into elements, details, objects, and people—this, as we know, is the essential condition of poetry. This article discusses how these paradigmatic relationships acquire vitality and authenticity through the creator's socio-philosophical conception

Keywords

Creator's psychology, philosophical conception, criminality