This article examines the issue of sociolinguistic analysis of audiovisual works of art. It also analyzes the issues of language variety in works of art. In addition, it discusses the different interpretations of these issues from the perspectives of linguists, literary critics, and historical novelists.
Sociolinguistic Analysis Of Audiovisual Artistic Works
DOI:
Keywords:
Abstract
References
Zindell D. The Broken God. – New York: Spectra, 1993. – 704 p.
Alim, H. Samy, Award Ibrahim & Alastair Pennycook (eds.). 2009. Global linguistic flows: Hip Hop cultures, youth identities, and the politics of language. New York / Oxford: Routledge.
Bednarek, Monika. 2010. The Language of Fictional Television. London/New York: Continuum.
Bleichenbacher, Lukas. 2008. Multilingualism in the movies: Hollywood characters and their linguistic choices. Tübingen: Francke.
Bucholtz, Mary. 2011. Race and the re-embodied voice in Hollywood film. Language and Communication 31. 255-265.
Coupland, Nikolas. 2007. Style. Language variation and identity. Cambridge: Cambridge University Press.
Fairclough, Norman. 1995. Media discourse. London: Edward Arnold.
Kozloff, Sarah. 2000. Overhearing film dialogue. Berkeley, CA: University of California Press.
N.M.Mamadjanova. Entering the world cinematography and film discourse. Europian journal of innovation in nonformal education. (EJINE) April 2025