This article conducts a functional analysis and representation of meaning of the Russian and Uzbek translations of Ernest Hemingway’s iconic novel, A Farewell to Arms. Drawing primarily on the theoretical insights of A.V. Fyodorov, L.S. Barkhudarov, V.N. Komissarov, and Murza A.B., it employs a comparative approach to investigate how meaning and communicative function are rendered across different linguistic and cultural contexts. The research meticulously examines specific translational strategies, including transliteration, transcription, and pragmatic adaptations, to assess the preservation or transformation of referential, intralinguistic, and pragmatic meanings. The analysis delves into lexical units, proper names, and culturally specific realia, highlighting instances where translators make conscious choices to navigate semantic ambiguity, extralinguistic information gaps.