The article analyzes the processes of artistic and poetic thought renewal in 16th century Uzbek literature through the lens of tazkiranavism. Using the examples of Mutribiy Samarqandiy and Hasanxoja Nisoriy, the features of complex expression of the poet's image, the clarification of aesthetic criteria, the strengthening of a critical approach, and the appearance of psychological elements in poetic thought are examined. The article also highlights how tazkiras combine aesthetic and social thinking, as well as the poets' active participation in the social processes of their time.

Tazkira, artistic thinking, poetic renewal

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