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| Open Access |
https://doi.org/10.37547/ajsshr/Volume05Issue11-41
Technical Methods Of Improvisation (Badiha) In Maqom Performance
Abstract
This article analyzes the technical methods of improvisation (badiha) in maqom performance. Based on scholarly sources, the concept of improvisation, its place in maqom practice, and traditional and modern approaches are explored. In particular, it examines how performers use melodic ornamentation, voice registers (high/jo‘r levels), and rhythmic and structural techniques to create musical richness and freedom of expression. The article also discusses the traditional “master-pupil” school and the individualization of interpretation.
Keywords
Maqom, improvisation, badiha, performance technique
References
Xolmatov M.M. «Maqom ijrochiligi mezonlari va xususiyatlari». – (2023)
Ismoilova N.O. «Musta¬qillik yillarida maqom ijrochiligi taraqqiyoti jarayoni». – (2021) (КиберЛенинка)
Zokirova E. «Maqom va zamonaviy musiqa o‘rtasidagi ta’sir». – (2025) (inLIBRARY)
Kurs “Ijrochilik san’ati tarixi”. – PDF darslik. (Гулду Портал)
“Cholg‘u ijrochiligida improvizatsiya” maqolasi. (uzconferences.org)
“Maqom va uning usullari haqidagi bilimlarni shakllantirish” maqolasi. (bestpublication.org)
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Copyright (c) 2025 Yunus Rajabi, Ilyos Arabov
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