This article explores the poetic world of one of the prominent representatives of modern Uzbek poetry — Shodmonqul Salom. It examines his creative activity, artistic-aesthetic views, and poetic style. Particular attention is given to the poet’s literary school, his place in the literary process, and his distinctive use of rhythm, metaphor, metonymy, and imagery. The interrelationship between personal and social lyricism is also thoroughly analyzed.
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