Formation and Development of The Uzbek Folk Instruments Orchestra
DOI:
https://doi.org/10.37547/ajsshr/Volume05Issue04-10Keywords:
Central Asian Art, Hellenistic Influence, Sogdian Musical Culture, Terracotta SculptureAbstract
This article explores the historical and cultural processes that led to the formation and development of the Uzbek Folk Instruments Orchestra. It highlights the significant role of national traditions, musical heritage, and prominent composers and performers in shaping the orchestra. The study also discusses the evolution of orchestration techniques, the inclusion of various traditional instruments, and the integration of folk melodies into orchestral arrangements. Special attention is given to the influence of Soviet-era reforms and educational institutions in institutionalizing the orchestra. The article concludes by analyzing the modern state of Uzbek folk orchestras and their contribution to preserving and promoting the nation’s musical identity.
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References
Karimov, A. (2015). The History of Uzbek National Music. Tashkent: Fan Publishing House.
Tursunov, B. (2018). Development of folk orchestras in Uzbekistan: Traditions and Innovations. Journal of Central Asian Arts, 7(2), 45–53.
Sagdullayev, M. (2011). Uzbek Folk Instruments and Their Classification. Tashkent: Music Education Press.
Ismatov, U. (2020). Orchestration in Uzbek Folk Music: Evolution and Modern Approaches. Asian Journal of Musicology, 9(1), 32–40.
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Rashidov, R. (2014). Soviet Influence on Central Asian Folk Music Ensembles. Moscow: Ethnomusicology Research Institute.
UNESCO. (2008). Traditional Music of Uzbekistan: Safeguarding Intangible Heritage. Paris: UNESCO Publications.
Matyakubov, O. (2005). Shashmaqom and the Evolution of Uzbek Music Culture. Tashkent: Ma’naviyat Publishing.
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Copyright (c) 2025 Toirov Akbar
This work is licensed under a Creative Commons Attribution 4.0 International License.
