This article analyzes the linguopoetic nature of discourse markers in modern Uzbek poetry, their communicative–pragmatic functions, and their stylistic role in the structure of poetic texts. Through the use of discourse units such as “xullas” (in short), “aslida” (in fact), “yana” (again), “go‘yo” (as if), “demak” (therefore), “nahotki” (could it be that), and others, the study explores how poets express internal logical coherence, subjective attitudes, and the distinctiveness of poetic discourse.

Discourse marker, modern pragmalinguistics, interactive sociolinguistics

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