This article analyzes the problem of psychologism and psychological analysis in Uzbek literary criticism, their differences and significance in the literary process. The study, based on the scientific works of literary scholars, highlights the stages of formation of psychological imagery, principles of development and features of its application across genres. It also analyzes the role of psychologism in the creation of the human psyche, inner world and artistic character in the work of writers. The article reveals the essence of psychological analysis as an aesthetic category, its connection with changes in artistic thinking, as well as the dialectical relationship between human character and psyche on a scientific basis.

Literature, psychologism, psychological analysis

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