The article analyzes the mukhammas of Ahmadjon Tabibi, which were attributed to the ghazals of Amiri and Khan by representatives of the Kokand literary environment. It highlights the theoretical characteristics of the takhmis genre, its place in classical literature, and the artistic and aesthetic possibilities of this genre in Tabibi's work. The interpretation of romantic, mystical, and mystical motifs is revealed using the example of the poet's mukhammas attributed to Amiri's ghazals. Also, the traditions of the Kokand literary environment, the system of images, issues of poetic harmony, and creative continuity in Tabibi's mukhammas are analyzed. As a result of the research, it is substantiated that Tabibi, inspired by Amiri's work, created his own unique artistic style and made a worthy contribution to the development of the mukhammas genre.
Tabibiy And Amiri: An Analysis of Mukhammas Poetry in The Tradition of Takhmis
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