This article examines the unique artistic and philosophical qualities of the works of Konstantin Georgiyevich Paustovsky (1892–1968), one of the most prominent representatives of twentieth-century Russian prose. It explores the interplay of lyricism, realism, and symbolism in his short stories and novels, focusing on how narrative imagery functions as a poetic device that bridges external reality and inner consciousness. Special attention is given to Paustovsky’s nature descriptions, the role of lyrical detail, and the philosophical undertones of his narrative style. Comparative perspectives with Anton Chekhov, Ernest Hemingway, and Stefan Zweig highlight the distinctiveness of Paustovsky’s literary poetics within both Russian and world literature.

Konstantin Paustovsky, Russian prose, narrative imagery

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