The historical development of percussion instruments in central Asia

Abstract

This article analyzes the history, development, and cultural significance of percussion instruments in Central Asia, with a particular focus on the doyra. It highlights the long history of the doyra based on ancient depictions and archaeological findings. Additionally, the article provides information about doyra performance techniques and the various names by which it is known across different cultures. The important role of the doyra in musical traditions, especially in the maqom art, is also explored. Special performance styles developed in regions such as Khorezm, Bukhara, and Fergana are examined. The article further demonstrates how the doyra has been historically significant not only in musical performances but also in religious and ceremonial events, as evidenced by historical documents and visual art representations.

Keywords

Central Asia, percussion instruments, doyra