THE CHARACTER OF STRONG PERSONALITY ACCORDINGLY WITH EASTERN THEMATICS IN CHRISTOPHER MARLOWE’S PLAY "TAMBURLAINE THE GREAT"

Abstract

The given research analyzes how the East appears in the play "Tamerlane the Great" by K. Marlo. The author analyzes how this image correlates with the literal Tamerlane and the contemporary East, what are the connections between the European and Eastern worlds in the play, and how licit it's to include Marlowe's play (and, in principle, the workshop of his coevals) into the now popular post-colonial converse. The factual thing of the given exploration is to dissect and determine the creative impact of the East and its ethno-artistic tricks upon the erudite heritage of the prominent English playwright, minstrel and translator of the Elizabethan period Christopher Marlowe, grounding our methodological analysis on one of his topmost plays, named Tamburlaine the Great. Tamburlaine the Great. Who, from a Scythian Shephearde, by his rare and awful Vanquishing, came a most important and potent Monarque. And (for his despotism, and terror in War) was nominated, The Scourge of God., and for Part II, The Alternate Part of The bloody Vanquishing of potent Tamburlaine. With his impassionate fury, for the death of his Lady and loue faire Zenocrate; his fourme of exhortacion and discipline to his three sons, and the maner of his own death The composition also examines how the East appears in the play" Tamburlaine the Great" by K. Marlowe. The author analyzes how this image relates to the literal Tamerlane and the East of his day, what's the relationship between the European world and the East in the play, and also how licit it's to include Marlowe's play (and, in principle, the workshop of his coevals) in the now popular postcolonial converse.