Articles
| Open Access |
https://doi.org/10.37547/ajps/Volume05Issue11-48
Folkloric Elements In The Works Of Erkin A’zam: Interplay Of Literary Language And Oral Tradition
Abstract
This study analyzes the functional, structural, and semiotic roles of folkloric elements in the novellas of Erkin A’zam, a leading figure in contemporary Uzbek prose. Drawing on linguopoetic and narrative-theoretical frameworks, the research examines how mythic motifs, archetypal imagery, vernacular expressions, and ethnographic details are integrated into the author’s literary language.
The investigation combines textual and structural analysis with receptor-oriented feedback obtained from first-year philology students at Karshi State University, whose interpretive responses offered additional evidence regarding the perception and cultural relevance of folkloric content in modern literary contexts. The findings indicate that A’zam’s strategic use of folkloric components not only enriches the symbolic and aesthetic dimensions of his narratives but also constructs a cultural bridge that links modern literary discourse with the oral heritage of the Uzbek people.
The study concludes that folkloric structures constitute a central component of A’zam’s narrative poetics, reinforcing cultural memory while enabling the recontextualization of traditional motifs within contemporary artistic frameworks.
Keywords
Folkloric elements, Oral tradition, Archetypal imagery, Narrative poetics
References
Dundes, A. (1980). Interpreting folklore. Indiana University Press.
Hasanov, Sh. (2020, December 20). Erkin A’zamning “Parizod”i. Zarnews. https://zarnews.uz/uz/post/erkinazamning-parizodi
Honko, L. (2000). Thick corpus, organic variation and text corpus. Studia Fennica Folkloristica, 7, 1–28.
Propp, V. (1968). Morphology of the folktale (2nd ed.). University of Texas Press.
Shofiev, O. (2019). Erkin A’zam nasri badiiyati (kinoja va obraz). (Monografiya). Toshkent.
Ulug‘ov, A. (2014). Erkin A’zam badiiy olami: Ilmiy maqolalar va suhbatlar to‘plami. Turon Zamin Ziyo.
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