This article provides a scientific and theoretical analysis of the role of the principle of sociality in defining the genre of a work of art on a historical theme. Specifically, the criteria for determining genres within the dramatic form are re-examined using the example of Makhsud Shaykhzoda's work "Jaloliddin Manguberdi." The study argues that the work belongs to the genre of drama, not tragedy, based on the character of its social reality, the nature of its conflict, and the relationship between historical truth and artistic invention. Additionally, existing views in literary criticism are critically analyzed, and it is substantiated that the protagonist's fate and social turning points are decisive factors in defining the genre.
The Principle of Sociality in Defining the Genre of a Historical Work of Art
DOI:
Keywords:
Historical work
principle of sociality
drama
tragedy
dramatic conflict
Abstract
References
Quronov D., Mamajonov Z., Sheraliyeva M. Dictionary of Literary Studies. - Tashkent: Akademnashr, 2013. - 409 p.
Imomov B. Tragedy and Character. Tashkent: Gafur Gulom Publishing House of Literature and Art, 1977. - 176 p.
Belinsky V.G. Selected Works. - Tashkent: Uzdavnashr, 1955. - 512 p.
Karimov N. Makhsud Shaykhzoda. - Tashkent: Sharq, 2010. - 336 p.
Gulam H. The Academic Theater During the Patriotic War. / "Khizil Uzbekistan" newspaper, March 18, 1945.
Eshonturayeva S. The Creative Path of Our Theater. / "Khizil Uzbekistan" newspaper, March 14, 1945.
Joraqulov U. Issues of Theoretical Poetics. - Tashkent: Gafur Gulom Publishing and Printing Creative House, 2015. - 356 p.
Aristotle. Poetics. - Tashkent: Literature and Art Publishing House, 1980. - 152 p.
Ulugov A. Literature as Explained by Aristotle. Tashkent: Muharrir Publishing House, 2022. - 236 p.
Armughon. Literary and Artistic Collection. Tashkent, Uzbekistan State Publishing House - 1944. - 192 p.