This article analyzes the dialectical nature of the philosophy of movement in persona lyrics on the basis of M. M. Bakhtin’s dialogic theory. Movement, understood as a fundamental mode of the existence of matter, is interpreted as the continuous motion of thought in Bakhtin’s theory. From this standpoint, persona lyric poetry is examined as an aesthetic form of the philosophy of movement, where word, voice, meaning, and subject continuously exist in a state of motion. The article offers a comparative analysis of the views of Aristotle, Engels, Hegel, Bakhtin, and contemporary lyric theorists, identifying the dialogic nature of movement in persona lyrics and analyzing several poetic examples.