This article analyzes the artistic-aesthetic and conceptual features of the poem "Demonstration" by Abdulla Oripov, Hero of Uzbekistan and People's Poet. The research examines the mechanisms of expressing socio-political critique and the struggle against spiritual decline in the poem, as well as exploring the artistic and figurative interpretation of the call for knowledge and enlightenment. The role of intertextual connections, symbolic imagery, and artistic devices in creating meaning, and the reflection of the lives of various peoples and universal human values, are investigated. Using the poem "Demonstration" as an example, the poetic possibilities of intertextuality, and the significance of historical and cultural allusions in enriching the content of the work, are demonstrated. The article also acknowledges the poet's profound analysis of world history, human spirituality, and the problems of modern society, and his raising of crucial philosophical questions facing humanity.

Abdulla Oripov, intertextuality, symbol

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