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International Journal Of Literature And Languages

Peer Reviewed | Open Access | E-ISSN: 2771-2834
Published Article

THE CATEGORY OF INTERTEXTUALITY: ALLUSION, QUOTATION, SYMBOL

THE CATEGORY OF INTERTEXTUALITY: ALLUSION, QUOTATION, SYMBOL

  • Sadikova Dildora Nizomovna
    Teacher of Navoiy state university, Uzbekistan
Intertextuality allusion quotation

The article discusses the categories of intertextuality: allusion and quotation as being the key mediators between texts. In resolving this issue, it provides a detailed description of the forms under each category and explains how each of them operates in the textual talk of literature and how they interact with one another. Also, the article stresses that symbolism takes up a very important role in works of literature is not only significant for deepening the themes, but also serves another purpose of being a tool of the critics in making the reader interested in the piece of literature and encouraging him/ her to think about the possible meanings of symbols. Through such elaboration of analysis, the discussion also shows that intertextual and symbolic elements build up on one another to enrich the reader’s perception.

Abrams M.H.“A Glossary of Literary Terms” 7th edition. Cornell University P. 314

Feruza, Khajiyeva, and Sadikova Dildora. "THE INTERTEXTUAL STUDY OF THE SYMBOL ‘PENTACLE’FROM DA VINCI CODE BY DAN BROWN." International journal of scientific researchers (IJSR) INDEXING 3.2 (2023).

Melsovna, K. F. (2021). Cosmopolitanism throgh intertextual devices in the postmodern biographical novel. ACADEMICIA: An International Multidisciplinary Research Journal, 11(11), 156-161.

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7. Sadikova, Dildora. "THE INTERTEXTUAL STUDY OF THE SYMBOLIC ELEMENTS FROM DA VINCE CODE BY DAN BROWN." Conference Proceedings: Fostering Your Research Spirit. 2024.

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CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES(ISSN –2767-3758)VOLUME03ISSUE11Pages:90-96SJIFIMPACT FACTOR(2021:5.823)(2022:6.041)OCLC–1242423883METADATAIF–6.925Publisher:Master

R.F.Thomas “Virgil’s Georges and the art of refernce” Harward Studies in Classical Philology 90 (1986) pp171-98