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International Journal Of Literature And Languages

Peer Reviewed | Open Access | E-ISSN: 2771-2834
Published Article

Negotiating Loss and Letting Go: Grief, Continuing Bonds, and the Kübler-Ross Model in Dustin Thao's You've Reached Sam

Negotiating Loss and Letting Go: Grief, Continuing Bonds, and the Kübler-Ross Model in Dustin Thao's You've Reached Sam

  • Nazish Jabeen
    M.Phil. English Literature, Riphah international university, Pakistan
  • Mahnoor Khalid
    M.Phil. English Literature, Riphah international university, Pakistan
  • Mubashra Khalid
    Department of English, Himayat-e-Islam, College, Lahore, Pakistan
Young adult literature grief bereavement Kübler-Ross

Contem porary young adult literature increasingly addresses death and bereavement through narratives that foreground the psychological, relational, and developmental experiences of adolescent characters. Dustin Thao's You've Reached Sam (2021) offers a distinctive representation of adolescent grief by combining a conventional narrative of bereavement with a speculative premise: following the sudden death of her boyfriend, Sam Obayashi, seventeen-year-old Julie Clarke discovers that she can communicate with him through his former telephone number. This article examines Thao's representation of grief through Elisabeth Kübler-Ross's categories of denial, anger, bargaining, depression, and acceptance while placing the model in dialogue with the theory of continuing bonds developed by Dennis Klass, Phyllis Silverman, and Steven Nickman. Through qualitative close reading of Julie's emotional responses, avoidance strategies, memories, interpersonal relationships, temporal disruptions, supernatural communication, and eventual decision to release Sam, the article argues that You've Reached Sam invokes the emotional vocabulary associated with the Kübler-Ross model while simultaneously challenging the assumption that grief develops through a fixed sequence. Julie repeatedly revisits earlier emotional positions as her understanding of loss changes, making her grief recursive, relational, and nonlinear. The article further argues that the supernatural telephone is not merely a fantastical narrative device or a symbol of Julie's refusal to let go. Rather, it functions as a dynamic literary mechanism through which Thao externalizes the continuing bond between mourner and deceased. Its function changes from enabling denial and imagined reunion to facilitating emotional confrontation and eventual release. Consequently, acceptance in the novel does not mean forgetting Sam or severing attachment; it means transforming an impossible dependence on his presence into a sustainable relationship with memory. The article therefore proposes that You've Reached Sam reframes mourning not as a movement from love to detachment but as a movement from dependence to integration.

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