Articles | Open Access | https://doi.org/10.37547/ajast/Volume05Issue02-17

Characteristic features of using the example of f. Liszt's "fantasy" for piano and orchestra

Valiyeva Gulmirakhon Muzaffarjon qizi , State Conservatory of Uzbekistan, 1st year master's student, Department of Special Piano, Faculty of "Musical Art", Uzbekistan

Abstract

This article analyzes how Hungarian folk melodies are processed in F. Liszt's work "Fantasy on Hungarian Folk Themes" for piano and orchestra. The work highlights the synthesis of national musical traditions and the romantic style, as well as the interrelationship of the orchestra and piano parts. The composer's improvisational approach, thematic modifications and the influence of virtuosity elements are considered on a scientific and theoretical basis. The article also analyzes the use of Hungarian folk music motifs in F. Liszt's work and its influence on musical thinking.

Keywords

Hungarian folk music, , romanticism

References

List, F. (1852). Fantasia on Hungarian Folk Themes for Piano and Orchestra. Leipzig: Breitkopf & Härtel.

Walker, A. (1987). Franz Liszt: The Virtuoso Years, 1811–1847. Cornell University Press.

Searle, H. (1966). The Music of Liszt. Dover Publications.

Samson, J. (2003). Virtuosity and the Musical Work: The Transcendental Studies of Liszt. Cambridge University Press.

Merrick, P. (1987). Revolution and Religion in the Music of Franz Liszt. Cambridge University Press.

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Valiyeva Gulmirakhon Muzaffarjon qizi. (2025). Characteristic features of using the example of f. Liszt’s "fantasy" for piano and orchestra. American Journal of Applied Science and Technology, 5(02), 70–73. https://doi.org/10.37547/ajast/Volume05Issue02-17